-
Recent Posts
Archives
- January 2021
- November 2019
- October 2019
- September 2019
- June 2019
- May 2019
- April 2019
- January 2019
- November 2018
- October 2018
- September 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- December 2017
- October 2017
- September 2017
- August 2017
- July 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- January 2016
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- July 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- January 2013
- November 2012
- October 2012
- September 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- December 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- March 2011
- February 2011
- November 2010
- September 2010
- May 2010
Categories
Meta
-
Join 22 other subscribers
Monthly Archives: February 2018
The renegade style of Argentinean filmmaker Eduardo Williams
Is this crap or brilliant? This is the question I ask myself after watching The Human Surge, Eduardo “Teddy” Williams’ indescriptible first feature film. Structured in three segments shot in Argentina, Mozambique, and the Philippines, it follows young subjects engaged … Continue reading
Posted in Cinema Errante Events
Tagged Alex Rivera, Argentina, Bertrand Bonello, Could See a Puma, eduardo williams, el auge del humano, film, I Forgot!, Juan Daniel F. Molero, locarno, Nicolás Pereda, Que je tombe tout le temps?, san francisco international film festival, Tan atentos (2011), teddy williams, the human surge, The Sound of the Stars Dazes Me
Leave a comment
cinemaerrante 